Job ads all look the same — and what comes in doesn't fit.
TypicalWhoever reads the ad learns nothing that convinces them — so salary ends up deciding.
Good people do not apply to job ads — they apply to people and to a working day they can actually see.












If one of these applies to you, budget is rarely the reason — candidates simply cannot see what working with you is actually like.
Whoever reads the ad learns nothing that convinces them — so salary ends up deciding.
You will not beat corporate salaries with money, but with what daily work at your place actually looks like.
What candidates cannot see, they cannot find attractive. They drop out again.
One efficient shooting day produces everything you need for your careers page, job ads and social.
The resultIn the end you have videos that attract the right talents and filter out the wrong ones upfront: the people, the everyday life, the culture — what it's really like. The result: better-fitting applications, shorter recruiting processes and employees who stay.
Hero version 16:9, 90–120 seconds — the centrepiece of your careers page.
Short version 9:16, 30–45 seconds — for job boards and your own postings.
Two additional reels from the same material — without another shooting day.
The same assets keep working at your booth and on day one for new hires.
Two productions, two industries — both with real employees in front of the camera.
Recruiting / Employer branding
Recruiting / Employer brandingA selection of projects around visibility, recruiting and growth.
“Oliver hatte ein gutes Gespür für Bildsprache, Atmosphäre und Details und hat unsere Praxis authentisch und modern eingefangen. Klare Kommunikation, schnelle Umsetzung — uneingeschränkt weiterzuempfehlen.”
“Ein schnelles, klares Briefing — Oliver hat sofort verstanden, was wir brauchen, und uns ein passgenaues Konzept erstellt. Wer einen modernen, kommunikativen Videografen sucht, ist bei ihm genau richtig.”
“Oliver hat meine Arbeit und meine Geschichte in einem cineastischen Imagefilm perfekt eingefangen — professionelles Licht, gestochen scharfe 4K-Aufnahmen, exzellenter Sound. Rundum professionell und kreativ.”
Six steps on a clear schedule. You always know what comes next.
With HR and leadership: which roles, which target groups, which cultural anchors. Which candidates you want — and which you deliberately do not.
Selecting three to five employees, pre-interviews to build trust, a shooting concept without a script — themes instead of set lines.
1.5 production days: interviews with the selected employees, cinematic footage of the real working day. No staged scenes.
Rough cut, sound design, colour grading, branding elements and subtitles — for the main version plus all cuts and reels.
Joint review with HR and leadership, feedback bundled, one agreed round of adjustments.
Hero version for the careers page, cuts for job ads, two additional reels — every format ready to use.
No modular pricing with asterisks — this is the scope you get.
Concept call and recruiting strategy briefing with HR and leadership. The result is a sharp brief instead of vague wishes.
1.5 production days: interviews with three to five employees plus cinematic footage of the real working day.
Hero version 16:9 for the careers page, short version 9:16 for job ads and social, plus two additional reels.
Sound design, colour grading, subtitles and licensed music — ready to publish, nothing added later.
Companies filling positions the market is bidding on.
Teams that want to lower fluctuation and integrate new people faster.
Brands holding their own against bigger competitors in the talent shortage.
Bookable on its own or combined with the brand film.
I do not work with rigid packages. The scope depends on how many roles you need to fill, how many locations are involved and which formats you actually need. After the first call you get a transparent breakdown built around your situation.
For contextAn unfilled skilled position quickly costs a company 20,000 to 50,000 € per year — through lost revenue, overtime across the team and repeated job postings.
Three to five people are enough for a strong recruitment video. The selection matters more than the number: different roles, different generations, different paths into the company. That way candidates recognise themselves, whichever direction they come from.
Preparation. Before the shoot I go through the key messages with each interviewee — no script, just themes. On the day I ask questions that trigger stories rather than statements. It sounds real because it is real.
Yes, that is the standard case. The main video shows culture and people, not one specific role. For targeted job ads I can cut role-specific versions from the same material — one production, several vacancies covered.
A good briefing is enough. We develop themes, cultural anchors and key messages together. A classic script would turn your recruitment video into an advert — exactly what we want to avoid.
With a solid concept, two to three years. The visual language is timeless and the statements are about culture and people rather than trends. If bigger changes happen, we add a refresh shoot.
Model releases are signed on the shooting day. They cover platforms, usage period and withdrawal options, so you have legal certainty for the agreed areas of use.
In a first call we work out whether a recruitment video is the right lever for your situation — no obligation, no sales pressure.