
Visibility
You deliver quality, but none of it is visible online.
One shooting day in production, the hall and on the assembly site delivers material for months. Clients see your work before the conversation turns to price.
Corporate films for industry, technology and mid-sized companies: I show what you manufacture, build and install — filmed while you keep working, with concept, shoot and edit from one person.
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From projects for industry, energy and technical mid-sized companies.

You deliver quality, but none of it is visible online.
One shooting day in production, the hall and on the assembly site delivers material for months. Clients see your work before the conversation turns to price.

The right people apply elsewhere because they don't know you.
Your technicians, fitters and apprentices explain how the work really runs. Applications from people who know what they are signing up for.

Your technology needs explaining, and meetings never leave time for it.
A film explains the plant, the process and the quality in two minutes. Procurement understands your offer before you enter the room.
„sofort verstanden“Alexander WichmannITLOOX GmbH
Ein schnelles, klares Briefing — Oliver hat sofort verstanden, was wir brauchen, und uns ein passgenaues Konzept erstellt. Wer einen modernen, kommunikativen Videografen sucht, ist bei ihm genau richtig.
„zuverlässig, kreativ und extrem gut vorbereitet“Sandro GriesingNew Face Media GmbH
Sehr professionelle Zusammenarbeit: Oliver ist zuverlässig, kreativ und extrem gut vorbereitet. Die gelieferten Reels sind hochwertig, strategisch durchdacht und ideal für unsere Kundenprojekte.
„authentisch und modern eingefangen“Jonathan ThiesWe Move
Oliver hatte ein gutes Gespür für Bildsprache, Atmosphäre und Details und hat unsere Praxis authentisch und modern eingefangen. Klare Kommunikation, schnelle Umsetzung — uneingeschränkt weiterzuempfehlen.
A selection from industry, energy, technology and care — from product launch to recruiting film.

I'm Oliver Lange, a filmmaker from Leipzig and an entrepreneur for over 10 years. I have worked in production halls, on plants and construction sites, and I know a shooting day must never stop your operation. Concept, shoot, edit and project management stay with me: you always talk directly to the person making your film.
You need neither a concept nor a script. After the guided briefing you receive a fixed-price quote.
Your project team gets access to the client portal and can see the status at any time.

Usage rights, confidentiality and what may appear on camera are settled before the shoot. You approve concept and shooting plan.
15 to 30 minutes of setup, compact equipment, no cordoned-off areas. Your production keeps running.

First cuts within 24 to 48 hours. You comment to the second on the video, and only what you approve becomes final.
All formats on one download page with full usage rights. The raw footage stays archived for later versions.

Depending on project size, your final video is ready within one to two weeks.
It comes down to four things: the number of shooting days, the number of locations, the number of interviews and how much animation or graphics are involved. After the briefing you receive a fixed-price quote covering concept, shoot, edit, music licences and revision rounds. No add-ons later.
No. Depending on scope, 15 to 30 minutes of setup, compact equipment without cordons, and a schedule that follows your shift. We film around production, not the other way round.
A few hours spread over several weeks: a guided briefing of four to six minutes, one alignment call on the concept, the shooting day itself and one approval round on the finished edit.
I hear that before almost every shoot, and it resolves itself on the day. Nobody memorises lines. I run a relaxed interview, and anyone who prefers not to speak simply keeps working — that often makes the best footage.
All settled before the shoot, not after: consent forms for everyone involved, restricted areas and sensitive equipment defined in advance, safety briefing and protective equipment as standard. I'm happy to sign your non-disclosure agreement.
Yes. I travel the Leipzig region regularly and work across Germany beyond that. The setup is compact enough to travel, whether that's Halle, Dresden, Erfurt or further away.
Tell me briefly what you manufacture or offer and what the film should achieve. Within 48 hours you get an honest first assessment: what is worth doing, what isn't and how to get there.
